1- The entire poplar panel and the limits of the pictorial coat (it has never been cut).

2- The restoration of the top part of the sky and the 12cm crack.
3- Her different expression.

4- The stain in the corner of her eye was accidentally caused by varnish, as was the case for that on her chin.

5- Her more expressive and clearer smile.

6- The lessening of the cracks on her lips and eyes, which probably suggests a very old restoration or lightening of the varnish.

7- The remains of the lacework which has vanished from her bodice.

8- The transparency of the veil on the landscape.

9- The preparatory sketch of the interlacings and understanding that the veil on the right-hand side was painted afterwards.

10- The preparatory sketches of the left-hand side column.

11- The chair on the right-hand side which disappears under the veil.

12- The fixing of the elbow after a stone was thrown in 1956.

13- The painter’s retouch of her fingers – the forefinger and middle finger of the left hand.

14- A blanket covers her lap and confirms the position of her right hand holding it against her tummy.

15- The fingers of her left hand hold the blanket covering her lap.